9 Facts About Commercial Printing You Probably Didn’t Know

The average person heads to the commercial printing shop for professional brochures or business cards-not to prepare for trivia night. Nonetheless, here are eight fun facts about commercial printing that most people have never heard of.

What is the world’s smallest book?

The Guinness World Book of Records lists Shiki no Kusabana as the smallest book in the world. It is a 22-page Japanese book about the flowers of the four seasons, and its dimensions are only 0.0291 x 0.0295 inches. This is only slightly larger than the eye of a needle.

Which fiction book had the highest initial print run?

Considering the international impact of this series, it’s not too surprising that Harry Potter and the Deathly Hallows holds this record for fiction books. The initial run included 12 million copies, not including eBook sales.

What is the largest paper catalog?

Step aside Sears! In 2005, Aviall Services Inc. released the Aviall Product and Catalog Book, a 2,656-page catalog that weighed 7.4 pounds and was 2.8 inches thick.

How quickly was the fastest-printed postage stamp created?

In under an hour, the city of Schaan, Liechtenstein voted on a stamp’s design and produced it. The stamp was part of an event commemorating the 100th anniversary of the nation’s first-ever stamp.

What is the oldest mechanically printed book?

Most people learn that the first mechanically made book is the Gutenberg Bible, created by Johann Henne zum Gensfleisch zur Laden (Johannes Gutenberg) in Germany circa 1455. However, some scholars claim that the Chinese actually accomplished this feat six or seven centuries earlier.

How expensive is printer-made sushi?

Chicago chef Homaro Cantu of Moto restaurant creates his sushi entrees using a Canon i560 inkjet loaded with edible ink. Restaurant goers are willing to pay upward of $240 to try his experimental menu.

What is the world’s oldest publishing house?

Cambridge University Press is the world’s oldest publishing house. It began in 1534 with a royal charter from King Henry VIII and has operated nonstop since its first book was released in 1584. In its almost 500 years of operation, it has published more than 2,000 books and 150 journals a year across 200 countries.

How much does black printer ink cost?

Black ink is one of the most expensive liquids on the planet, costing more than $2,700 per gallon. It is more expensive than both oil and space shuttle fuel.

Armed with these commercial printing facts, readers will be ready to defeat the competition at trivia night or just make an interesting conversation with the professional handling his or her business card order.


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


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Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Envelope Printing – Everything You Never Knew You’d Have to Know – Part 2

Getting the Envelopes Printed

Once you have your envelopes picked out, you need to figure out how to get your design printed on them. Sounds easy right? It will be much easier if you know a few key points about envelope printing.

Some Folks to Know: The Pre-Press Department

Now that you’ve made your way past the fast-talking (but hopefully friendly) sales rep, you may have to talk with another type of envelope enthusiast — the Pre-Press department. While not as intimidating as speaking to an ink-covered pressman in the middle of a loud warehouse, pre-press workers are still pretty technically involved and close to the front lines. They may sit at computers all day like most office workers, but they will spout out print jargon you’ve never heard. Someone in the department is bound to have some customer service skills, so you can usually ask for some clarification. Going through your sales rep for artwork issues is not usually a good idea, because they often do not have any artwork training.

Your artwork will always come to pre-press if it is new art or if anything has changed with the art. They get it ready for the presses by making sure all the colors separate properly, that you’ve complied with postal regulations, and that your design is actually printable (some things are not!). They get the artwork to a point where it can be printed on plates, which will be inked, put on the press, and used to print your envelopes.

Pre-press can also make changes to your art if necessary, in the event that you cannot make the changes yourself. Some changes may incur fees, but you should be notified of these. Most pre-press departments also handle typesetting. If you have absolutely nothing, they can at least type up an address for you, in the font of your choice, and stick it on an envelope!

Postal Regulations

I know this ruins the fun, but before you print a design on an envelope, you must make sure it fits within the U.S. Postal Service’s regulations. If you are ordering envelopes for a business, you will more than likely be mailing multiple pieces at one time. Failure to comply with regulations can result in the return of your mail, or additional charges from the post office. You can get away with some wacky designs if you are planning to pay First Class postage for every piece. But in order to qualify for discounted bulk rates, you had better listen to what the man says! We will attempt to warn you of some of the pitfalls here, but you should contact your local post office with any further questions (the USPS website is not very helpful).

The Major Postal Regulations Pertaining to Envelopes:

  • The OCR Read Area -Your address on the reply envelope needs to be within the area that the postal machines read. This is called the OCR read area. If you are unsure whether your address fits, you can go to the post office and look at one of their plastic templates. Your printer probably owns one of these templates and can make sure you are within the reading area. However, if you design the address too big or otherwise out of the area, pre-press may have to shrink it or move it for you, which could result in charges.
  • The Return Address – Most return addresses will fit within guidelines, but if you have a particularly large logo in the corner, plus an address underneath, the address may be “out of postals” as we call it in the biz. This is usually OK in most cases. In fact, if you are paying first class postage you can put it anywhere on the left or even on the back flap. But if you plan to send bulk mail or pre-paid postage, you had better comply with regulations! Your logo may have to be shrunk to fit the address up into the corner, or you can move the address to the right of the logo so you don’t have to lose any size from your precious design. All this is because the bottom line of the address (city, state, zip) needs to be at least 2-3/4 inches from the bottom of the envelope because that’s where the readers will look for it if your bulk mailings get returned.
  • FIMs and Postnets – Also known as “those lines at the top” and “barcodes,” which need to go on some reply envelopes. The FIMs (facing identification marks) help the post office identify what kind of mail is being sent, and the postnets are a barcode for your ZIP+4 code. Find out what kind of FIM you need (or if you need one at all), and provide an accurate ZIP+4 to get a postnet. If you don’t have the software to make these yourself, pre-press can make them for you (for a fee). These need to fit into their own read areas, with a much smaller margin of error than address info. Pre-press can put them there, but make sure you don’t have background designs all over the envelope that are going to conflict with printed codes and other important stuff. Save the fancy designs for the mailings inside the envelope!
  • Business Reply Mail and Postal Indicias – If you are a big business you’ve probably done BREs and have your own pre-paid permit number. If this is all Greek to you than it would be best to contact the post office if you are interested in Business Reply Mail or other types of pre-paid postage. If you get a permit number and have no idea what to do with it, pre-press can make an indicia (the little thing in the corner that says POSTAGE PAID US PRE-SORT PERMIT NO. blah blah…) or a BRE graphic for your envelope (again, for a fee). They can also make you one of those little indicias that tell your customer PLACE STAMP HERE, just in case your customers are the kind that forgets things like that…

Ok, you can stop sweating now. Most of this won’t apply if you are just a little guy getting #10 envelopes for regular mailings. Now we can move onto the fun part.

Your Return Address Design

By far the most common thing printed on an envelope is a simple return address, sometimes with a logo. Aside from the return address information above, there are a few things that you need to pay attention to as far as the printing process goes.

  • The edge of the envelope – Depending on how many colors you are printing, you can put your logo at different distances from the edge. For 1 or 2 colors, you can get it as close as 1/16 inch from the top and left sides, although 1/8 inch is usually recommended. The press has what we call “bounce” which means very small distances can’t be guaranteed to stay true, and your logo might end up going off the edge. For 3 or more colors, a different type of press is used, and you may need to put the logo up to 3/8 inch from the edges. The white space around the logo is used for what we call a “gripper.” The 3 color press needs an edge to grip to pull the envelope through the press. Check with your printer to see how much room you need. If your logo is already set up and it needs to be moved away form the edge, your printer can usually do that for you without a fuss.
  • Bleeds – Many logos include a square of color or another design behind the text that goes off the edge of the envelope. Anything that goes off the edge is called a “bleed.” There are often extra charges for bleeds so consider whether the look is absolutely necessary for your design. The charges are not that prohibitive for 1 or 2 color jobs, but when those special 3 or more color presses get involved, they may need to print your envelopes unfolded, and then fold them after printing. Another thing that would require the envelopes to be printed flat and then folded is if the ink coverage is too heavy so be careful!! All this extra work takes more time and comes at a higher cost.
  • Address font – Make sure your address is legible. Humans are much better at filling in the blanks when we can’t read something, but the machines will just chew up your envelope and spit it out, so to speak. If it takes any effort for a human to decipher the numbers, you need to use a different font. Make sure it is at least 8 points as well. The legibility rule goes for your reply addresses too, but use at least a 10 point font for those. An envelope is not the place to show off all the new fonts you’ve just downloaded. Pick something simple that goes with your company’s “feel” and, again, save the fancy stuff for the mailings inside. Pre-press can probably recommend something.

This may all seem very simple but I have seen a lot of strange things come through prepress. Sometimes a very weird design that is too busy or can’t be made to fit postal regulations sits in the to-do bin waiting on an answer from the customer, and several follow-ups later it gets canceled because they couldn’t decide what to do to make their envelopes work. Design with these things in mind, and you won’t miss deadlines or have to cancel jobs altogether.

Designs for Remittance Envelopes

One of the most complicated designs because it prints on all four parts of the envelope (face, back, flap, back of flap), it always needs a bit of tweaking when it gets to pre-press. We printers love to work on these when they are well made, but some designs can be nightmarish. What you need to know about “remits” as we call them, is how much area needs to be left over for glue on the flaps, folds in the envelope, etc. Your printer can provide you with a template, but it would help to keep a few things in mind as you design.

  • Front and Flap- Remits usually print with the flap open, so your design should include what goes on the front (the reply address, etc.) and the design you would like on the flap. Keep in mind that when the envelope is closed after printing, you’ll want the flap to read right-side-up…therefore it needs to print upside down. Also, most remit flaps are slightly tapered, so you can’t design all the way to the edge of the envelope.
  • Back or “Inside” – On the flip side of the open envelope, you’ll have the back of the envelope and the back of the flap. The back of the flap needs to have glue put at the top for sealing. Allow room at the top of your design for the glue. The top is usually where the contribution information is given (yes I will donate, how much is being donated …), as well as a statement from you about where the funds go, etc. The bottom is where you put lines for the donator to write his address information, and that’s where things get sticky (pun intended). When the generous donator seals the flap, the glue strip is going to adhere to the bottom part of the envelope. There cannot be any lines for information there, because they will get ripped off when the envelope is opened by your eager fundraising team! Make sure you use a small enough design without too many lines of information. Pre-press can tell you how far from the bottom you need to be for each size envelope. You can print things near the bottom for the donator’s benefit or balance out the design of the envelope. Often you’ll see a website or logo down there because it doesn’t matter if it gets ripped off.

There are many more envelopes that have specific designs, and pre-press can give you some guidance.

The Colors – Understanding Separations and Traditional Printing

The first important thing to understand about traditional printing is that it is not Kinkos. Traditional printing requires properly color separated artwork, with only one color on each plate, and high-resolution artwork. It is too often that a customer replies when told their artwork is not printable, that they had their business cards printed from the same art last week. The business cards were most likely printed at a quick-print shop on an inkjet printer which requires no color separations, and the resolution is probably mediocre. Traditional printing requires the colors to be physically applied to the envelopes by plates of different colors on a highly calibrated machine, not mixed on the fly by a computer printer.

Process and Spot Color

These strict rules don’t mean you can’t have every color of the rainbow in your design. The magic of screens (those little dots you see when you look close up at a magazine) allows for infinite possibilities of mixed colors, in much truer tones and higher resolutions than allowed by inket printing. In most four color applications, the process colors Cyan, Magenta, Yellow, and black (CMYK) are applied in varying screens to create realistically, graduated color. This can also be achieved with screens of spot color.

Spot colors are industry wide colors that are standardized (to some degree) and include Pantone matched colors. Some examples are black, reflex blue, and any Pantone number you can think of. They are often printed solid and used for 1 and 2 color jobs.

Making the Art Separate

The most important part of all this color nonsense is to make sure you design your image with color in mind. You may need a professional designer to get your digital logo to work for this kind of application. Some logos just need minor adjustments that can be done by pre-press for a fee. Just remember that if you are printing spot colors, you can’t submit something that’s CMYK, and vice-versa. Pre-press may be able to convert it, but the colors may be altered in the process.

Fonts and File Formats

Check with pre-press to see what kind of artwork they prefer. Universally, line art or vector art (not Photoshop art!) is in use in the graphics industry. This provides the highest quality resolution and the best color separations. Again, if this is Greek to you, it may be time to call in a professional designer.

Three tips for sending files that I can’t stress enough:

  1. Line art only! (except for photo graphics and the like) created in Illustrator or another vector art application.
  2. Save fonts to outlines! Because not everyone has your fonts, and Mac/PC fonts often conflict (pre-press will have mostly Macs). This turns the font into artwork that can be read on any computer.
  3. Call pre-press if you don’t know what to do! Save everyone’s precious turn-around time and get your envelopes done right.

We hope these little articles haven’t hurt your brain too much. We just want the printing customer to be aware of all the choices out there, and all the pitfalls to avoid when printing envelopes. Trust your sales rep and your pre-press helpers. It’s not always fun to admit, but they know more than you do about printing envelopes.

Hopefully, this has shed a little light on envelopes. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today, and explain your needs.  Their customer service department will put together a cost-effective quote and help your vision come to reality!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Envelope Printing – Everything You Never Knew You’d Have to Know – Part 1

We set out to write a set of articles called “Frequently Asked Questions About Envelopes,” but we immediately ran into a problem. If the customer doesn’t know anything about envelopes, how will they even know what questions to ask? The world of envelopes can be labyrinthian at times — so we went about it another way.

Part 1: All About Envelopes

Outlined here in our first article is the important information you will need to know before ordering printed envelopes, as well as many of the options you may be asked to choose from. If you are newly in charge of ordering envelopes for the boss, and you don’t want to look like a dummy, we can help. Or if you have started your own company, and stationery is the last thing on your mind, we can help with that too.

When you talk to your sales representative she may assume you’re an envelope expert, like herself, and start to rattle off types of envelopes, types of stock, window sizes… Don’t lose hope. Here are a few of the most basic things to know about the envelopes themselves.

What are the Standard Sizes?

#10 – For standard-sized mailings, this is what all those bills you get in the mail are lovingly wrapped in. Fits folded 8.5 x 11 stationery. Check with your post office for bulk mailing discount postage on these! (9.125 x 4.5)

#9 – Also called a “reply” envelope. Fits inside a #10 so the recipient can reply with it (and pay those bills). (8.875 X 3.875)

#7 – Also called a “check” envelope. It’s just big enough to send money!

Remittance Envelopes – For donation requests. Commonly used by churches, charities, and alumni organizations. These come in three common sizes, depending on how much you need to print on them (or how much begging you need to do). These are mailed to the recipient inside a larger envelope, like a #10, and the generous contributors send them back to you, like a reply.

Drive Ups, Teller Helpers, and Bangtails – That last one may sound very funny, but these are all for banks. They have special flaps for holding money and making deposits. Sizes vary depending on your printer. If you work at a bank, hopefully, you know which ones you need!

Coins – The banks use these little guys for coins, but many jewelers, locksmiths, and anyone else who needs to keep track of little stuff, has them printed up.

Key Cards or Credit Cards – The cool little envelopes that hold your hotel key or a gift card.

Florist – Used mostly by florists to accompany arrangements (as the name suggests) these are also a very cute way to present a gift card!

Baronial – These envelopes are shaped like small greeting card envelopes (less long and rectangular than a #10 for instance). These are for announcements or simply when you want a more elegant look (hence the elegant name). They come in various sizes.

Big Envelopes – 6 X 9s, 9 X 12s, 10 X 13s… darn, these don’t have any special funny names (some people call them booklets and catalogs, but we’ll get into that mess later). You can use them for sending documents or printed materials. They are usually offered in all kinds of sturdy stock so they don’t tear when you stuff all your goodies inside.

Custom – Most printers work with large suppliers that can fold custom envelopes. If you’ve created a printed piece that you just can’t stand to see folded, or if your customers have an eye for the unique, chances are your printer can have some special envelopes made.

Now, Where’s That Pesky Flap?

Now that you’ve decided what envelope suits you best, you have to worry about Flap Orientation. This is not an event where your envelope flaps get to know their surroundings, but a name for which end you decide to put the flap on! Most envelopes, like #10s and #9s will always come standard with the long end open, like the kind you use every day. Other envelopes, however, especially the large ones, can be opened on either the long or short dimension. If you’re ordering large envelopes, you will be asked:

“Do you want Open Side or Open End?” or “Do you want Booklet or Catalog?”

Then you will say “What!?” These are two ways of asking the same thing. Here’s what it all means.

Open Side (Booklet) envelopes have the flap on the long end. So if you look at the envelope with the flap at the top, it will be in “landscape” orientation, as your inkjet printer at home would call it.

Open End (Catalog) envelopes have the flap on the short end. So if you look at the envelope with the flap at the top, it will be in “portrait” orientation.

Helpful Hint: Mixing up these definitions can mean a costly do-over on your envelopes, as many printers will have you sign off on manufacturing (or “folding”) your envelopes before you’ve even submitted artwork. It’s helpful to make a little envelope drawing on a post-it and stick it to your computer monitor. Even the pros get confused when they’re looking at specs all day!

More tricky questions: Paper Stock?

The stock is the type of paper your envelopes will be made of. Most common sizes are already “on the floor” (in the printer’s warehouse) in the standard finishes, but if you want something special, you have options.

Wove Paper – This is the standard that most envelopes come in. It’s cheap paper available in many colors, from bright white to canary to sky blue. It does come in a couple of different weights if you need a sturdier envelope, but wove does not offer the highest durability. Don’t ask why it’s not called “woven.” The paper industry just wanted to make up its own word. Besides it’s fun to say “white wove” ten times fast.

Rag Paper and Rag Mixes – Rag is a nicer cotton paper like you would want to use on invitations, announcements, or even basic stationery for a company that has a high-dollar or creative image. You can get mixes of rag and wove to cut costs. Rag offers the best color reproduction and comes in several colors, more natural ones than wove, like grey or oatmeal.

Tyvek – This plastic from the gods is used everywhere from construction sites to the surgery room. Oh yeah, and it makes really durable water-resistant envelopes! Mail your ten-pound product catalog that everyone’s been waiting for, or print a key card holder that still shows your logo after several trips to the hotel pool. Tyvek is recyclable.

Kraft – If you need durability but don’t want to drop the big bucks, kraft paper is the way to go. Many larger envelopes are kraft (or manila) paper, and it comes in some pretty heavyweights.

There are many more stock options (har har) so ask your rep if you have an exotic request.

How Do I Close My Envelopes?

Once you get your envelopes, you’re going to have to put things inside them, right? Well, you need to make sure you can seal your envelopes so your mailings don’t take a detour.

Gum – Standard seal, a gum arabic that needs to be moistened to stick closed.

Peel and Seal -Save a tongue (or a sponge) and use peel and seal envelopes. You rip off the plastic backing to expose a permanent, synthetic gum that seals envelopes tight for their long journey.

Reusable Closures – For interoffice envelopes, driver logs, and more. Order clasps or string and button closures so you can reuse your envelopes ’til they fall apart.

Un-Gummed – Go naked and order un-gummed envelopes! If you are not mailing your envelopes and you don’t want them accidentally sealed (it’s in our nature to want to lick the gum if it’s there…) you can save a buck and forgo the gum. This is common on coin envelopes used for storing small items, and large envelopes intended for reuse.

That just about covers all the choices you may need to make about your envelopes. Now we can get to the fun part: printing your envelopes! Please check out Part 2 of this article.

Hopefully, this has shed a little light on envelopes. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today, and explain your needs.  Their customer service department will put together a cost-effective quote and help your vision come to reality!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Everything You Ever Wanted To Know About Printing but were Afraid to Ask

The words that we see on paper or, for that matter, on many other media such as plastic, glass, wood, or as embossed on visiting cards, is a technique made possible due to the art of printing. It is a form of technology that is defined as a process that helps reproduce copies of texts and images, mostly using ink on paper with the help of a machine called the printing press. This entire process is then termed publishing and includes newspapers, magazines, publicity leaflets and brochures, newsletters, and many other forms that essentially serve the objective of disseminating information through the written word.

The history of printing is long and interesting. It was first conceived and developed in China and there is evidence to indicate that primitive woodblock printing was in use by the sixth century. The oldest surviving book that was published using the technique of block printing dates back to 868 AD. This is the Diamond Sutra, a Buddhist scripture. The movable type printer was the creation of Pi Sheng in 1040 and the movable type metal printing press was invented in Korea as early as in the year 1234. By the 12th and 13th centuries, many Arabic and Chinese libraries were stocked with tens of thousands of printed books – such was the popularity attained by printing.

Later, the Chinese printing technology found its way into India and Europe because of the trade routes and further development came to the fore when Johann Gutenberg, a German technologist, worked in collaboration with Johann Fust and Peter Schoffer to make a printing press with raised and movable type with oil-based inks. This system led to more experimentation and by 1628 it had helped establish the well known Cambridge Press in North America. Meanwhile, printing also assumed various other forms such as the method of engraving on wood and other materials.

Since those days, printing technology has become a fine art, and books and newspapers are now printed using the technique of offset printing. There are other techniques too such as relief print that is mostly used for catalogs, screen printing, rotogravure, and digital-based inkjet and laser printing, each one of them having its own advantages that can be tapped for the kind of publishing results required. The four types of printing are relief printing, lithography, intaglio, and screen process printing. In intaglio, the image is incised into a surface. Copper or zinc plates are usually used, and the image is etched or engraved on the surface.

Among these, the lithographic process is widely used. It is a manual process based on the repulsion of oil and water. In lithography, flat stones, thin metal, plastic, and paper plates can be used. On the plate, there’s a drawing made with greasy ink or water mixed with crayons. The plate is then inked for printing and the wet parts do not accept the ink while the greasy ones do. For screen process printing, a silkscreen is used which works like a stencil. The ink is applied to the back of the image carrier and pushed through porous areas corresponding to the structure of the design. Digital printing, the most popular in today’s age, uses an electrical charge to transfer toner or liquid ink to the substrate that it is going down on. Its quality has remarkably improved through the years from black and white to color.

When it comes to printing technology, the most revolutionary innovation has been the introduction of photocomposition machines for setting type by photographic means. Now, further advancement has prompted newspapers and magazines to use pagination systems or specially designed page-making software that helps electronic composition, the output of which can be directly transferred to negatives and then on to plates which can be used for the final printing process. Rotogravure is a type of intaglio printing that involves engraving the image onto an image carrier.

To obtain a consistently good quality of reproduction, the method usually employed is offset printing where the inked image is transferred from a plate first to a rubber blanket and then to a printing surface. The other forms of printing include security printing that deals with such items as banknotes, passports, stock certificates, postage stamps, and identity cards. Here, the main objective is to produce items that cannot be forged.

Hopefully, this has shed a little light on the history of printing. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today, and explain your needs.  Their customer service department will put together a cost-effective quote and help your vision come to reality!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

High Quality Poster Printing by PrintArt

The success of any product is greatly determined by the advertising campaign. Moreover, advertising is a crucial weapon to influence customer psychology. Advertising campaigns involve the use of many media, posters being one of the most important. Posters located in strategic locations can do wonders to draw the prospective customer’s attention.

Previously, poster printing had its limitations and often the designer’s efforts did not get proper justice due to the inferior quality prints. However, things have changed with the developments in screen-printing techniques and have become even better with the advent of digital printing.

In recent years, many digital poster-printing companies have emerged and can help with an entire advertising campaign. These companies not only provide posters for commercial purposes but also design and print posters for reunions, anniversaries, birthdays, concerts, PR events, and anything that needs to draw public attention.

PrintArt uses cutting-edge technology in color poster printing and digital poster processes and provides clients with unique and impressive advertising and marketing campaigns.

Posters can be made more appealing and effective with the use of different layouts and designs. Moreover, various types of paper are available for printing posters.

It is advisable to go through the sample of the poster very carefully to prevent problems in the future. Similarly, as color printings give different output on different types of high gloss poster printer paper, it is advisable to go for a quality that is compatible with the concept, design, and purpose of the poster.

Modern-day digital poster prints are fully computerized and are available in a variety of file formats. Besides this, variables such as resolution, gradients, bleeds, borders, fonts, text, and flattening of layers greatly determine the final look of the poster. Thus, it is advisable to discuss all these attributes with the printing company to achieve the best results.

Posters are the most traditional and effective means of reaching the masses. The use of the latest printing techniques has made them more appealing and effective in their purpose.

Hopefully, this has shed a little light on poster printing. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today, and explain your needs.  Their customer service department will put together a cost-effective quote and help your vision come to reality!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Get a Response With Perforated Printing from PrintArt

There are so many times that a business or organization would really like to have some customer feedback. It could be because they are considering adding a new product or service to those that they already offer. They could be seeking some feedback about their customer’s opinions of their business. They might be offering coupons and need to send them out with additional information.

Is there a single answer to all of these professional needs? Actually, there is, and it is called perforated printing. With perforated printing services business, organization or individual can create an item that has an easy to remove, or “tear-off” area in which special information can be provided by the customer, or which can contain a coupon or certificate for them to use in a store, business or restaurant.

How is perforated printing done? Many modern printers know that they must meet an amazing range of needs. Not only will they need to do traditional print jobs such as flyers, books, and stationary, but also specialty products like catalogs, calendars, and special mailing pieces. Because of this, many also offer perforation services as well.

The process of creating a perforated print job demands the use of special blades attached to a commercial press or bindery. These blades can be configured to accommodate almost any layout, and a customer can then design their mailer or perforated piece to their own special design.

How can a perforated printing job help my business? Almost any business can benefit from customer feedback. A perforated mailer can be created to include a tear-off card that is printed with mailing information and a pre-paid postage indicator. This mailer might offer a discount to anyone who sends in the attached reply card. This could help a business owner to understand if a product or service will get enough business, and also provide them with an instant mailing list.

Clearly it is easy to get a response with perforated printing available, and many printers are able to provide materials that can easily endure the stresses and rigors of traveling through the postal service.

In the past, perforated printing materials might be handled so roughly that the perforation gives way and allows the card to become torn or even detached, but today such concerns are really a thing of the past. In fact, the appearance of many marketing materials and mailers get a substantial “feel” from the use of the specialty papers and card stocks required for many perforated printing jobs.

Today a majority of marketing campaigns incorporate a customer response or reply card into their design. The perforated mailing pieces can harvest a great deal of information through their tear-away features. This data can really give a business or organization a significant edge over their competition because they will ask the customer or consumer to provide a few minutes of time, and also give them their direct attention. This means that a business using a perforated mailer as part of their marketing will also quickly become a memorable business to those who communicate with them through these innovative mailers.

Hopefully, this has shed a little light on perforated printing companies. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today, and explain your needs.  Their customer service department will put together a cost-effective quote and help your vision come to reality!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Brick Sample Boards – The Guide To Buying Bricks

Bricks have been included in the making of buildings since time immemorial. Their use has been perpetuated due to their durability, evidenced by a number of ancient buildings that were made using bricks and have remained standing.

Due to their proven strength, they are used for much more than building houses and offices nowadays. Sidewalks, pavements, fireplaces, and many other construction projects are made using bricks. As a result, there are different types of bricks for different purposes. If you are in the construction business you need to know the differences in order to know how to buy bricks for whatever purpose. Viewing all the brinks that you are interested in on brick sample boards helps you quickly browse the different types of products.  You can use the following mini-guide for buying bricks to help you.

STEP 1 – Find out what types of bricks you need: The two main types of bricks are paving and building bricks. Paving bricks are those that are used to build driveways, patios, the area around a pool, etc. Most brick sample boards will give a description of the material and style. In short, they are the ones that will be placed on the ground and walked/driven on. Building bricks, on the other hand, are used for walls and fences (upstanding structures).

STEP 2 – Determine the number of bricks needed: You will have to first measure the area in order to determine the number of bricks required for your project. A general rule is to use 5 to 7 bricks per square foot depending on whether its for paving or for a wall. The actual amount will vary depending on what the size of the brick used is as well as the pattern and the thickness of each mortar space.

STEP 3 – Source high-quality bricks: Check around local hardware stores that sell bricks to compare costs before making a final choice. When doing so, factor in delivery costs.

STEP 4 – Select the right kind of mortar/grout: Not all mortar mixes are suitable for the type of brick that you plan to use. Confirm the type with the hardware dealer you are buying the bricks from.

STEP 5 – Buy more than enough bricks to cover the project: Having to go back for additional bricks to complete a project or to make minor repairs could mean that the colors do not match even though they are the same bricks.

STEP 6 – Start building: Knowing how to buy bricks will help you get the right kind for the job and be able to get your project off the ground promptly, once the other necessities are in place.

Do you need info onBrick Sample Boardsand how they will revolutionize your process of displaying and selling your bricks to your customers? Reach out to PrintArt today and let their staff work with you every step of the way!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Finding a Great Commercial Printer Can Make a Big Difference in Your Business

Most businesses use a commercial printer to run off letterhead and mailings, allowing the quality of the results to vary widely depending upon how much time they have to pay attention to it. A run to a chain-owned local print shop that does bulk work is enough for them and they’ve learned over the years to simply make do with the results.

However, a few companies are savvier and have learned the advantage of finding a top-notch print house that can provide them with everything from branding to competitively priced offset printing runs, lowering their costs and supporting their business goals. High-end printers that deal with bulk orders and corporate accounts are a fantastic resource for design assistance as well as options for your print run that you might not even know about let alone consider using.

Design assistance is a strong reason for using a well run print house. If for any reason your graphics are not print ready then professional printers will assist you in bringing them up to speed as well as making sure your graphics person understands the requirements for print runs (which are considerably different from web graphic requirements).

Branding choices and color accuracy issues are all great areas of discussion to bring up with a commercial printer as most of them have several excellent visual designers on staff for the original work required by many companies. Some commercial printing houses actually have graphic designers on staff that can create your project from staff. This is becoming fairly common now as one-stop houses are providing everything from design to end product in one place.

Surprisingly, using a larger, busier print house like PrintArt, usually means the cost is lower for your projects. The more business a printer has the less overhead costs each project has to absorb. A smaller house will have to incorporate rent, insurance, utilities, etc. into a smaller number of clients while a larger one can spread those bills over a higher number of clients. Next time you have a project that needs a printer, check out the high-end print houses in your state, and see if there are options that you may not be aware of. Having a great commercial printer on your team can make the difference in both the quality of your results as well as the ease in achieving them.

Hopefully, this has shed a little light on finding a great commercial printer. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today and explain what you need.  Their customer service department will put together a cost-effective quote and help your vision come to reality!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

High Definition Full Color Offset Printing Is Here – Sharper, Brighter, Smoother, More Colors

It’s all about the screens. Well, who cares about screens? If you buy offset color printing services you should know the differences between the 2 different screen technologies used in commercial printing. It affects the quality of all your color printing. You may know some of this stuff, but most people who buy printing don’t know what you will learn in this article. This is a little technical but stick with it because you may want to make some changes in the way your printing is printed. So let’s get started.

Here is how it works. Your files go to pre-press where they are reviewed for technical errors before being made into screens for printing; it is the first step in the process. Customer files then go to a plate maker to be processed and then transferred (offset) to 4 different metal plates, one each of cyan, magenta, yellow and black. Each plate transfers the ink to a rubber blanket and the blanket offsets the ink onto the paper.

Most commercial printers use conventional AM (amplitude modulated) line screens, that are dots arranged in a rosette pattern to makes images. That means each screen plate has to align perfectly at very high-speeds of rotations of the press cylinder to keep registration sharp. A typical press run speed alignment of the plates can be unstable. The way it works is some dots are large and some dots are small depending on their tonal value. The bigger the dots the more ink they pick-up.

The most commonly used line screen dots are from 150 to 300 dots per inch depending on the screens used by the printing firm. Printing companies choose a type of screen and use it for all their printing, so you can’t ask your printer to use high dot line screens. A problem is conventional screens use a lot of ink that pools together. The detail is reduced caused by flooding the paper with too much ink. The color gamut is the range of colors that can be printed. Too much ink inhibits subtle colors and tones are lost because the color gamut is reduced. Subtle colors cannot be printed and moiré patterns can occur in textures and patterns. Another issue is banding in color gradations because it is difficult to print smooth transitions of color tones with AM screens.

The other screening method is known as FM (frequency modulated) stochastic (stuh-kas-tic) screens. There are different brands and they all have their own unique proprietary variations. These types of screens are different because FM screens are made with tiny specks similar to grain in photographs. As an example, I will discuss Kodak Staccato brand screens, which I am most familiar with.

FM screens use 20-micron irregular specs to print color. 1 micron equals 0.000093701 of an inch or 1,000,000 to one yard. A 20-micron screen prints 1,270 specs per inch. These tiny microscopic specks are ideal for printing high-definition details in photography, artwork, type, and smooth color gradations.

Stochastic screens offer many advantages over conventional screens. They improve detail and definition, reversed text prints cleaner. They improve shadow and highlight detail, also a larger color gamut so more colors can be printed using conventional line screens. FM screens eliminate unwanted screen angle moiré, subject moiré, and rosettes. The result is photographic like continuous tone appearance with more color stability during the press run. When tonal and color instability occurs using stochastic screens and off-register occurs sharpness and quality are not affected. These are just some of the benefits FM screens.

Hopefully, this has shed a little light on High Definition printing. It can be a fairly complex process but don’t feel overwhelmed, reach out to PrintArt today and explain what you need.  Their customer service department will put together a cost-effective quote and help your vision come to reality!.


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.

Printing Services Then and Now

Printing is not something that has been evolved decades ago but many hundreds of years ago. Of course, they were widely varied from the commercial printing services that are being offered now. But thanks to that first step that was taken by Johannes Gutenberg back in 1440, today man is able to print almost 60 trillion pages annually across the globe. This is because the commercial printers available now are more efficient in producing a higher print quality as well as a number of pages that they can produce.

Even before the Gutenberg’s printing press, records show that there existed some other forms of printing across different parts of the world. However, Gutenberg’s was the first of the movable type. History reveals that his machine utilized metal pieces and type mold. This first movable type press with page setting proved to be much faster and durable. Because the lettering was produced by metal (usually lead) pieces instead of wood like in the old times, the letters in the text became more uniform and the image sharper. The different letter pieces also enabled the printer to produce varied topography as well as fonts.

Strange as it is, it has taken hundreds of years for the press to develop into the commercial printers that they are today. After the Gutenberg’s machine, the press was later modified into the rotary press made by Richard March Hoe back in 1843. This was the first machine that used a cylindrical forum with impressions for printing text. This kind of machine proved to be even more efficient than the earlier kind as it was able to print long continuous rolls of paper.

The commercial printing services of the modern times now utilize heavy-duty commercial printers. The commercial printers that are in use today exist in a wide variety to accomplish the different tasks thrown at them. Printers are not only used to produce newspapers and magazines but also to create advertising material such as brochures, flyers, banners, billboards, and even digital art. All these kinds of commercial printing services have been made a possibility through the invention and then the fast evolution of the computer.

Anything and everything imaginable can be easily printed by combining modern commercial printing services and the creative heads that operate such businesses. The latest technologies have helped turn the world around but mostly it has enabled the production of faster and more efficient machines.

To learn more about commercial printing services, reach out to PrintArt today!


PrintArt – Accurate Die Cutting
413 Interchange St.
McKinney, TX 75071
972.562.7921
https://www.printart-adc.com


Would you like more information?
Do you have a special project that you need our help with? Just fill out this small form and let one of our representatives give you a call and talk about your project.